The eye. Conrad Shawcross.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Physical Desc
1 online resource (1 video file, approximately 27 min.) : digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2008.
Description
Often using subjects which lie on the border of science and philosophy, Conrad Shawcross's structural and often mechanical sculptures, question empirical, ontological and philosophical systems ubiquitous within our lives. While at first appearing rational and functional, his often complex mechanised systems in the end deny all rational function and so the viewer is forced down philosophical and metaphysical avenues to deduce a 'rasion d'etre'. From early works such as The Nervous System, 2002 - a monumental spinning machine that endlessly weaves a length of coloured rope into the form of a double helix, the shape of DNA - to his recent giant spiral work Continuum, 2004, the artist has attempted to visualize, among other things, the incomprehensible of human concerns, time.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
e832f00c-d08e-eb67-586f-31f807e53cf1-eng
Grouping Information
Grouped Work ID | e832f00c-d08e-eb67-586f-31f807e53cf1-eng |
---|---|
Full title | eye conrad shawcross |
Author | kanopy |
Grouping Category | movie |
Last Update | 2023-08-01 09:56:22AM |
Last Indexed | 2024-06-04 13:12:13PM |
Marc Record
First Detected | Sep 23, 2021 01:34:22 PM |
---|---|
Last File Modification Time | Sep 23, 2021 01:34:22 PM |
MARC Record
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500 | |a Title from title frames. | ||
518 | |a Originally produced by Illuminations Media in 2008. | ||
520 | |a Often using subjects which lie on the border of science and philosophy, Conrad Shawcross's structural and often mechanical sculptures, question empirical, ontological and philosophical systems ubiquitous within our lives. While at first appearing rational and functional, his often complex mechanised systems in the end deny all rational function and so the viewer is forced down philosophical and metaphysical avenues to deduce a 'rasion d'etre'. From early works such as The Nervous System, 2002 - a monumental spinning machine that endlessly weaves a length of coloured rope into the form of a double helix, the shape of DNA - to his recent giant spiral work Continuum, 2004, the artist has attempted to visualize, among other things, the incomprehensible of human concerns, time. | ||
538 | |a Mode of access: World Wide Web. | ||
600 | 1 | 0 | |a Shawcross, Conrad. |
650 | 0 | |a Artists|z Great Britain. | |
650 | 0 | |a Sculptors|z Great Britain. | |
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