When Lisa St. Claire, the beautiful young bride of a Boston police detective vanishes mysteriously, Spenser joins the search for the missing woman, following a dangerous trail that leads him to a sociopathic Latino ex-lover and into a deadly confrontation with Lisa's dark past.

Spenser, a Boston PI, is once again hired by April Kyle who was a teenage runaway that turned to prostitution. Now she is a madam of an up-scale, all-female operation that some men are trying to take away from her. April claims she doesn't know who is after her business, but Spenser finds ties to organized crime. Spenser without much surprise also finds that April, the thugs and everyone else involved is lying to him.

A hurricane hinders a kidnapping and Spenser goes on a search for the man responsible— the infamous Gray Man, who has both helped and hunted Spenser in the past. Heidi Bradshaw is wealthy, beautiful, and well connected —and she needs Spenser’s help. In a most unlikely request, Heidi, a notorious gold digger recently separated from her latest husband, recruits the Boston P.I. to accompany her to her private island, Tashtego. The reason? To attend...

Spenser reflects back to when he was fourteen-years-old and how he helped his best friend Jeannie when she was abducted by her abusive father.

In 1974, a revolutionary group calling itself The Dread Scott Brigade held up the Old Shawnut Bank in Boston's Audubon Circle. Money was stolen. And a woman named Emily Gordon, a visitor in town cashing traveller's cheques, was shot and killed. No one saw who shot her. Despite security camera photos and a letter from the group claiming responsibility, the perpetrators have remained at large for nearly three decades. Enter Paul Giacomin, the closest...

Spenser's never had a client like Jill Joyce, the star of TV's Fifty Minutes. She's beautiful, bitchy, sexy--and someone is stalking her. Spenser can hardly blame the would-be assassin...until he means the true meaning of "stage fright."

Spenser is asked to investigate when Robinson Nevins is denied tenure at the University, apparently due to a rumoured affair between Nevins and a young gay activist. The case turns deadly, and Spenser uncovers a conspiracy to keep America white, male and straight.

They call him the "Red Rose Killer" because he leaves one on the body of each woman he kills. But then the madman's eyes turn to Susan Silverman, and Spenser is on the case. For when Susan's life is in danger, Spenser becomes a hard-fisted, unstoppable locomotive--determined to bring the criminal to justice no matter what the odds!

She stood in Spenser's office, asking him to spring her 15-year-old son from the hoods her ex-husband had hired. So Spenser spirits the boy to the backwoods of Maine to teach him the art of survival, as learned in Boston's backstreets and Korea.

Hired by the Port City Theatre Company's board to investivgate the director's claims that he is being followed, Spenser feels like a fish out of water. Then an actor is gunned down during a performance of a controversial play and Boston's premier private cop goes into action.