Three-time Oscar nominee Christopher Nolan (Interstellar, Inception) directs this critically acclaimed mystery. Leonard (Guy Pearce) is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife's killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago,...

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. The trickiest sort of play -- a comedy with tragic relief. With her brother condemned to die for the crime of premarital sex, Isabella is torn between her vows to God...

Produced and directed by Kidlat Tahimik, this brilliant semi-autobiographical fable tells the story of a young Filipino born in 1942 (during the Occupation), his awakening to, and reaction against, American cultural colonialism. In his small village, Kidlat dreams of Cape Canaveral and listens to the Voice of America; he's even the president of his village's Werner Von Braun fan club. Winner of the Berlin Film Festival International Critics Award...

In this tense French drama, a doctor brings a boy to Belgium and raises him as his own. When the boy reaches adulthood, he gets married and starts his own family, though he still relies on the doctor. When trouble strikes his family, this dependence turns into domination.

One hundred and fifty years ago, the Corporation was a relatively insignificant entity. Today, it is a vivid, dramatic and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the Corporation is today's dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The Corporation is unlikely to be the first to defy...

This program teaches highlighting the good parts and trouble spots, research, visualizing and dramatization, non-fiction vs. fiction, the echo effect, online reasearch vs. physical, changing directions, genre material, staying fresh and externalizing characters' thoughts. Subjects covered include:--What to include. --How to avoid the 200 page screenplay. --How faithful should you be to the original? --Is it easier to adapt fiction or non-fiction,...

Beyond its obvious cultural significance as the only classic film noir directed by a woman (actress Ida Lupino), THE HITCH-HIKER is perhaps better remembered as simply one of the most nightmarish motion pictures of the 1950s. Inspired by the true-life murder spree of Billy Cook, THE HITCH-HIKER is the tension-laden saga of two men on a camping trip (Edmond O'Brien and Frank Lovejoy) who are held captive by a homicidal drifter (William Talman). He...

In Richard III, director, producer, and star Laurence Olivier brings Shakespeare's masterpiece of Machiavellian villainy to ravishing cinematic life. Olivier is diabolically captivating as Richard, Duke of Gloucester, who, through a series of murderous machinations, steals the crown from his brother Edward. And he surrounds himself with a royal supporting cast, which includes Ralph Richardson, John Gielgud, and Claire Bloom. Filmed in VistaVision...

Naomi, an Israeli Mossad agent is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn in this suspense-laden,...

An amazingly sympathetic portrait of a figure historically given very short shrift: the title character is not only a two-timer—he’s a traveling salesman as well. But, as embodied by that perpetually pressured everyman of the 1950s, Edmond O’Brien, the bigamist comes across as a victim of his own sensitivity. Caught between two complementary spouses, O’Brien’s dazed indecisiveness dominates the narrative. As always in Ida Lupino’s directorial...